How fragile we are

The Lighthouse Keeper isn’t an avid reader of modern-day fiction but, determined to unearth a holiday read for a change, succumbed to the much talked about first novel by Karen Thompson-Walker ‘The Age of Miracles’, first published in 2012.

Written from the viewpoint of a woman looking back at her childhood, the ordinary moments of life and adolescence become more profound in the light of an unfolding disaster affecting all life on Earth.

The apocalyptic story is conjured from the idea of a ‘slowing Earth’, the germ of which, according to Thompson-Walker, stems from the powerful Indonesian earthquake and tsunami of 2004 which physically affected the rotation of Earth and shortened our days by a fraction of a second.

‘The Age of Miracles’ pursues the concept to its maximum - the rotation of Earth continuing to slow and slow, thus inflicting enormous and ultimately unmanageable changes on our normal daily existence.

Whilst making broad 'scientific' assumptions in parts, it is convincingly unsettling and points ultimately to how fragile society at large really is.

As it happened, I finished reading the novel in the wake of the giant typhoon that devastated the Philippines in November 2013, killing thousands of people and wrecking the lives of many more.

The suggestion that the increasing frequency and potency of such storms, droughts, intensive heat waves and floods around the world are linked to mankind’s increasing consumption of fossil fuels and the resultant global warming is ignored at our peril.

If, as a global population, we continue to release more and more energy into our system we shouldn’t really be surprised that it will have consequences.

Heat a pan of cold water on the stove and what happens? The more energy in the form of heat that transfers into the water the hotter and more agitated it becomes - a previously relatively stable environment is soon transformed.

Thompson-Walker describes ‘The Age of Miracles’ as a novel about a catastrophe that no one was expecting. "We sometimes over-estimate what we know about the world but I think we all live with more uncertainty than we like to think," she says.

Such a point is brought resolutely home when we view pictures on our TV screens of a natural disaster like in the Philippines caused by one of the largest and most aggressive typhoons ever recorded.

Yet distance and the remote nature of such events in relation to our own daily lives logically means we are seldom moved to any kind of action - either direct or indirect, on behalf of those affected or our future selves.

If, as a global population, we continue to rack up the temperature of our planet then we shouldn’t be surprised when stronger and more devastating natural events are unleashed at more frequent intervals.

We are, perhaps incontrovertibly, becoming just like the anecdotal frog that is placed in a pan of gradually warming water and gets so accustomed to the rising temperature that by the time it is too hot it can no longer jump out.

The story is often used as a metaphor for the inability or unwillingness of people to react to ultimately significant changes that occur gradually.

Today, in respect of climate change, we just about still have a choice. But the point of no return is creeping alarmingly close and there are warning signs all about - not least in the just ended UN Climate talks in Warsaw.

The blog title is taken from the lyric of ‘Fragile', a song composed by English musician, singer-songwriter, multi-instrumentalist, activist, actor and philanthropist Sting and first released on his 1987 album ‘Nothing Like the Sun’. Sting (Gordon Sumner, CBE) was also the principal songwriter, lead singer and bassist for the rock band ‘The Police’.

Blinded by the night

Winter sunset over the Solent from Portsdown Hill - Clive Simpson

It is hardly surprising to learn that in our modern, consumer-driven culture we are using far more light during the hours of darkness than we actually need.

But what is not generally recognised in our liberal use of illumination is the mounting cost to both the environment and ourselves.

An increasing number of scientific studies are questioning the long-held premise that humans are largely immune to the effects of artificial light at night.

And our own eyes, if only we opened them long enough in a metaphorical sense to see the bigger picture, would surely agree.

Research indicates that artificial nocturnal light - even in quite small doses - disrupts sleep, confuses circadian rhythms and impedes the production of the hormone melatonin.

All of which is bad news if the consequences of excessive exposure to light at night really do include an increased risk for obesity, diabetes and cardiovascular disease.

Technological advances such as LEDs (light-emitting diodes) have certainly improved the potential for better targeted lighting - but they are often brighter and more intrusive than the old lights they are replacing.

And much more of this modern light - whether from TVs, computer screens and electronic gadgets or from outdoor lighting of one form or another - is rich with blue wavelengths and most disruptive to the 24 hour biological process that regulates the body's functions.

In effect, blue light sends subtle messages to our brain that night is over – or in a basic, primal way that morning's blue sky has returned and that the day has begun - quite the opposite signal we need in the middle of the night.

Two years ago the American Medical Association (AMA) called for increased research into the risks and benefits of occupational and environmental exposure to artificial light at night and for the introduction of new lighting technologies at home and at work that minimise circadian disruption.

According to Prof Martin Morgan Taylor, of the School of Law, De Montfort University, Leicester, and a Legal Advisor (Lighting) to the UK Campaign for Dark Skies, the physiological effects caused by lighting may be similar to noise.

In his paper ‘Light Pollution and Nuisance: The Enforcement Guidance for Light as a Statutory Nuisance' he says: "Admittedly, there are comparatively few studies as yet on the problems caused by lighting, but lights can and do wake people up, as does noise.

"Moreover, with noise it appears that the subject does not need to be fully awakened to suffer the same negative effects as someone who has been deprived of sleep altogether."

As a result, people's health could be adversely affected by the floodlighting and what the Chartered Institute of Environmental Health (CIEH) refers to as ‘light briefly turning on and off' during the night.

Prof Morgan Taylor states the research concerning cancer risks does not restrict itself to lighting that wakes the subject but the risk factor is akin to the level of night-time light entering the bedroom.

"The glare from overly bright lighting can also cause further problems, for although the iris may contract to cut down the amount of light entering the eye, the scale of the glare from floodlighting can cause momentary blindness and pain," he says. "This is particularly an issue for the elderly, as the muscles controlling the iris do tend to become less efficient with age."

On a personal level, while we seldom leave our interior lights bare, most of our outdoor lighting remains unshielded – indiscriminately sending light straight into the sky, into our eyes, and into our neighbours' bedrooms.

The relatively simple act of adjusting or shielding outdoor lights by installing or retrofitting lamp fixtures that direct light downward to its intended target represents our best chance to control light pollution.

The generic objection to this - based on the premise that light equals protection and darkness represents danger - is that we need all this light for safety and security.

This common belief goes a long way to explain why many supermarkets, petrol station forecourts and car parks as well as our own driveways and yards are lit more than ten times as brightly as they were just 20 years ago.

In fact, the issue of light at night and safety is rather more complex, with little compelling evidence to support widespread assumptions.

For example, ever-brighter lights can actually diminish security by casting glare that impedes vision and creates shadows where criminals can hide.

The ‘World Atlas of the Artificial Night Sky Brightness', a series of computer-generated maps from satellite data that depict the extent of light pollution across the globe, were created by Italian astronomer Fabio Falchi and illustrate the point nicely.

Today, or to be correct, tonight, we have levels of light hundreds and thousands of times higher than the natural night time level – and light pollution is currently rising by an average of 20 per cent a year.

So this evening, before you flood the yard or your front drive with brilliant light, consider for a moment the opposite side of the day. Would we tolerate, with the same kind of indifference, attempts to modify the daytime by lowering light levels a hundred or a thousand times?

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If you enjoyed this Lighthouse Keeper essay by Clive Simpson looking at the impact of artificial light at night in our modern world please recommend or Tweet the link - Blinded by the night. The title is derived from ‘Blinded by the Light', a song written and originally recorded by Bruce Springsteen and widely known through the 1976 chart-topping version recorded by Manfred Mann's Earth Band.

Fear of the dark

Even lighthouse keepers - at one time true custodians of light - are an endangered species these days, their solitary and lonesome existence largely replaced by automated and computer-controlled systems.

But just as technology has seemingly usurped most aspects of human endeavour and experience - including the once dark night-time skies in the heavens above - the UK’s cross channel neighbour has, as it were, ‘seen the light’. Vive la France!

At the end of August, as its populous was returning to work after ‘les grandes vacances’, the whole country grew darker through the night as one of the world’s most comprehensive lighting ordinances came into effect.

Now, in the early hours of every morning between 1 am and 7 am, shop lights are being turned off and lights inside office buildings must be extinguished within an hour of workers leaving the premises.

Lighting on France’s building facades cannot be turned on before sunset and, over the next two years, new regulations restricting lighting on advertising hoardings will also take effect.

These rules are designed to eventually cut carbon dioxide emissions by 250,000 tons per year, saving the equivalent of the annual energy consumption of 750,000 households and slashing the country’s overall energy bill by 200 million Euros a year.

But, according to France’s Environment Ministry, no less a motivation is to ‘reduce the footprint of artificial lighting on the nocturnal environment’.

This is a powerful acknowledgement that excessive use of lighting is not only consuming too much energy but is endangering our health and the health of the ecosystems on which we rely.

Researchers are now focusing on the impacts of so-called ecological light pollution and warn that disrupting the natural patterns of light and dark - and thus the structures and functions of ecosystems - is having a profound impact far beyond what we realise.

It’s a global problem and is worsening by the month as countries like China, India and Brazil become increasingly affluent and urbanised.

Views of Earth at night show vast areas of North America, Europe, the Middle East, and Asia glowing with light. Only the world’s remotest regions - Siberia, the Tibetan plateau, the Sahara Desert, the Amazon, and the Australian outback remain cloaked in darkness.

Some countries, including the UK, have enacted limited regulations to reduce light pollution but in reality most nations and cities still do little to manage our excessive, almost compulsive, use of light.

The photographs below show the UK and London at night as seen by astronauts on the International Space Station (ISS). It serves as a poignant illustration of the point in question - namely that as both individuals and nations we are using far too much artificial light with little or no consideration for either cost, the environment or our own health.

As the autumn nights draw in, this is the first in a series of short Lighthouse Keeper essays looking at the impact of artificial light at night in our modern world. The title draws from Gordon Giltrap’s classic 1978 album ‘Fear of the Dark’ which was re-released in 2013 and is newly remastered from the original tapes, including eight extra tracks drawn from a series of singles released between 1978 and 1980. ‘Fear of the Dark’ , a Lighthouse Keeper 'top ten' album, saw Giltrap backed by a band of outstanding musicians: John G Perry (Bass), Rod Edwards (keyboards) and Simon Phillips (drums) and featured many outstanding tracks. 

For more articles in this series search under 'artificial light' on the adjacent tag cloud.

Chinese space station

China expects to complete its first orbiting space station within a decade and be able to send crews of up to six people there for short-term missions.

Chinese officials revealed details of the country’s space plans for low Earth orbit during the 64th International Astronautical Congress (IAC) taking place in Beijing, China, this week.

Mr Dazhe Xu, general manager of China Aerospace Science and Technology Corp, said the station - covering an area of 60 square metres - would be capable of supporting three astronauts on long-term flights.

Before that China will launch the Tiangong-2 space laboratory in around two years to test renewable life support and in-orbit refuelling systems, technologies that will be essential for the safe operation of the planned space station.

Mr Xu revealed that one cargo 'shuttle' and several crewed spacecraft will be launched to dock with Tiangong-2 at different times.

According to the China Manned Space Engineering Office, the space station will consist of three capsules and a cargo 'shuttle' to transport supplies.

The station's core module will be 18.1 m in length and will weigh 20 to 22 metric tons. It will be attached to two self-contained laboratories.

Mr Wang Zhaoyao, director of the China Manned Space Agency, said that once operational astronauts will be scheduled for long-term missions in orbit, conducting a wide range of technical tests as well as medical, science and educational experiments.

Liu Yang, China's first female astronaut - who appeared with her colleague Wang Yaping, the second Chinese female astronaut who flew into space on Shenzhou 10 in June 2013 - repeated the declaration that her nation would also be willing to accept foreign astronauts for future missions.

The country successfully carried out its first manual space docking, another essential step in building a space station, in June last year when three Chinese astronauts piloted Shenzhou 9 to link up with Tiangong-1.

China became the third country to independently launch a human into space in 2003 and has been rapidly expanding its space programme ever since.

Berndt Feuerbacher, former president of the International Astronautical Federation (IAF), said that China's space programme was developing quickly and actively looking for cooperation opportunities.

The annual IAC space congress has a record number of around 3,500 space scientists and business people attending this year, representing some 74 countries from across the world.

http://www.bbc.co.uk/news/science-environment-24282060

The above is one of a series of daily reports from the International Astronautical Congress 2013 held in Beijing, China, written by Clive Simpson for the Paris-based International Astronautical Association (IAF) and first appearing on the IAF website

Back to the blues

There is sometimes a fine line when it comes to discerning the difference between the colours of green and blue - as British Prime Minister David Cameron has been finding out.

His bold claim on coming to power to be leading the "greenest government ever" seems to be turning into something of a wistful ruse at best.

The summer’s unresolved fracas over fracking for shale gas didn’t really help matters but the latest salver came from a more unlikely source - a Conservative party donor.

Alexander Temarko, a significant British energy investor, claims investors in renewable technologies are being scared off by "seriously mis-leading" messages from the Government.

The Russian businessman, who has made donations in excess of £50,000 to the Conservative party, believes the Government is now paying little more than "lip service" to renewable energy.

Temarko says that failing to provide the clear targets investors need before committing to long term green electricity generation projects is squandering the opportunity to create thousands of jobs and generate billions of pounds in revenues.

The charge is levelled equally at the Prime Minister, his Chancellor of the Exchequer, George Osborne, and, to a lesser extent, at Ed Davey, the Energy and Climate Change Secretary.

In fairness, Davey campaigned to include a requirement in the Energy Bill - currently progressing through Parliament - that would have required the UK's electricity supply to become almost entirely ‘green' by 2030.

But Osborne replaced the target with less onerous wording that grants the Government the power from 2016 to require Britain's electricity supply to become almost entirely green only at some point in the future and should it choose to do so.

All this comes at a time when the country’s profit-hungry big six energy companies are about to announce another inflation-busting price hike to gas and electricity prices.

An exception to the rule is Ecotricity which announced mid-September that it was ending its ‘Big Six price match’ under which the small energy provider had matched each Big Six standard tariff in their home regions.

This delivered green energy for the price of brown and meant that, for most people in Britain, it costs no more to be with Ecotricity.

The company’s new pricing promise is that it will charge less than each of the Big Six standard tariffs - delivering green energy for less than the price of brown.

In the meantime, the Prime Minister and his Government’s ‘green' credentials have shifted chamaeleon-like back through the political colour spectrum to the traditional Conservative party blue.

And Temarko is right in one sense - the lack of a sound, long term energy policy is doing no one in the UK any favours.

This piece was originally scheduled for publication on 21 September 2013 but the Lighthouse Keeper was unable to access his blog due to Chinese internet restrictions whilst on assignment in Beijing and so it has been published retrospectively. The title is inspired by the album of the same name from the late Gary Moore (1952 – 2011), a musician from Belfast, Northern Ireland, best recognised as a blues rock guitarist and singer. In a career dating back to the 1960s, Moore played with artists including Phil Lynott and Brian Downey and was a member of the Irish rock band Thin Lizzy.

RSPB's fracking objection

The media hiatus in the fracking for shale gas frenzy - which graced the front pages for several weeks during the summer - has left room for some more reasoned debate and comment.

The RSPB, for instance, has waded into the issue by lodging objections to proposals to drill for shale gas and oil in Lancashire and West Sussex, citing that regulations are inadequate to ensure water, landscapes and wildlife are protected.

These are the first formal objections to fracking from the RSPB. The drilling proposal at Singleton, Lancashire, is less than a mile from an internationally important area for pink-footed geese and whooper swans.

The society is also protesting against drilling at Balcombe, West Sussex - the focus of large summer protests - on the grounds that no environmental impact assessment has been carried out.

In both written objections the charity also says that increasing oil and gas use will reduce the UK's chances of meeting climate change targets.

Harry Huyton, head of climate and energy policy at the RSPB, said: "Balcombe hit the headlines as the battleground in the debate over fracking. The public there are rightly concerned about the impact this will have on their countryside.

"We have looked closely at the rules in place to police drilling for shale gas, and they are simply not robust enough to ensure that our water, our landscapes and our wildlife are safe."

Huyton also said that Cuadrilla's proposed operations in Lancashire could damage populations of geese and swans. "This area is protected by European law because it is so valuable for wildlife and the company has done nothing to investigate what damage their activities could do to it," he claimed.

The RSPB says that Government figures show the potential for 5,000 sites and a total of up to 100,000 wells in the north of England.

"The idea that these will have a benign impact on the countryside is very difficult to believe," said Huyton.

"This is all in too much of a hurry – the regulations simply aren't in place," he added. "If Cuadrilla did their assessments and found there wasn't a serious concern, we'd accept that. But no assessments have been done."

The group's other main objection is that a push for shale gas will divert funds and attention from the UK's previously stated goal of having an electricity system almost completely powered by ‘clean' energy by 2030.

This piece was originally scheduled for publication on 20 September 2013 but the Lighthouse Keeper was unable to access his blog due to Chinese internet restrictions whilst on assignment in Beijing and so has been published retrospectively

Message in a bottle

Give or take a few miles, a 36-year-old unmanned spacecraft is now about 12 billion miles from the Sun, a pretty incomprehensible distance whichever way you look at it.

And this week NASA's Voyager 1 spacecraft officially became the first human-made object to venture into interstellar space.

New data gathered during the summer indicate Voyager 1 has now been travelling for about one year through the plasma (ionized gas) of interstellar space, the space between stars.

Covering nearly a million miles a day, the nuclear-powered spacecraft, has well and truly crossed the boundary between the Sun's influence and interstellar space, sailing into the vast gulf between the stars to become humanity's first true starship.

The announcement was made this week by scientists at NASA’s JPL in California, including Voyager project scientist Ed Stone.

"In leaving the solar system and setting sail on the cosmic seas between the stars, Voyager has joined the other historic journeys of exploration such as the first circumnavigation of the Earth and the first footprint on the Moon," he said.

"This historic step is even more exciting because it marks the beginning of a new era of exploration for Voyager, the exploration of the space between the stars."

It may be a new era of exploration for humankind but in reality we’ll get only limited information from Voyager, partly because of the vast distances involved and also because its instruments are being to wear out.

The fact that some are working even now is testament to the robust design of a spacecraft that was only ever meant to gather data from a spectacular journey through the giant planets of our solar system.

Voyager 1 reached the boundary of the heliosphere in 2004, a milestone marked by readings showing the speed of the solar wind had dropped below that of sound. But it took another nine years to complete the crossing and move out into interstellar space.

The actual transition likely occurred in August last year but an instrument that would have confirmed that failed in 1980, forcing scientists to rely on less direct methods of observation.

As it turned out, the Sun cooperated, blasting huge clouds of charged particles and magnetic energy in Voyager 1's direction in March 2012. When the particles finally got there 13 months later, they created detectable vibrations in the electrically charged plasma surrounding the spacecraft.

After studying those waves, scientists concluded the density of the material was 40 times higher than it would be if Voyager 1 was still in the heliosphere.

The heliosphere is defined by the Sun's magnetic field and is filled with electrically charged particles blasted away from the Sun in all directions -- the solar wind.

Our Sun, its planets, moons, asteroids and comets are embedded in a vast, t teardrop-shaped region, or bubble, in space known as the heliosphere.

Voyager 2 was launched on 20 August 1977 and Voyager 1 lifted off on 5 September the same year. Both probes carry gold discs with recordings designed to portray the diversity of culture on Earth - just incase they are ever intercepted by distant intelligent life forms.

The probes were launched on different trajectories. Voyager 2′s so-called 'slow' trajectory enabled it to visit all four giant planets, while Voyager 1′s faster trajectory meant it would head into deep space after visiting Jupiter and Saturn.

Voyager 1 is now the furthest human-built object from Earth and the distance is so vast that it takes 17 hours now for a radio signal sent from Voyager to reach receivers on Earth.

It is expected that their plutonium power sources will stop supplying electricity in about 10 years, at which point their instruments and 20W transmitters will die. After that Voyager 1 will not approach another star for nearly 40,000 years.

When Voyager 1 blasted into space the world we live in was a very different place and much has changed in the intervening decades, both socially and from a technological perspective.

The Voyager spacecraft was designed to run most of its operations itself and computing power was impressive for its time.

Each probe has three interconnected computer systems: one to control the craft’s flight and altitude, another to control its instruments, and a third to manage the first two.

The computers can process about 8,000 instructions per second - a fraction of the capability of a modern smartphone, which handles upwards of 14 billion each second. With memory measured in kilobytes, the Voyager computers can hold only hold a few thousand words worth of text.

Probably the most intriguing piece of technology onboard Voyager is the legendary ‘Golden Record’ - a phonograph record packaged with a cartridge and needle, operating instructions and loaded with information about Earth.

It contains 115 images of humans, animals and airports, spoken greetings in languages from Akkadian to Chinese, a message from US President Carter and an eclectic 90 minute selection of music.

Carrying such a disc as it travels in silence though the depths of space, Voyager 1 is effectively humanity’s interstellar ‘message in a bottle’ - speeding ever outwards through the ocean of interstellar space towards the edge of forever.