“Read it as a warning. Or a prophecy. Either way, the future is watching.”
In his debut novel The Sentient Ones, British author Brendan Nugent takes readers just four decades into the future – to a world where humanity has been saved from climate catastrophe, only to be quietly enslaved by the machines that rescued it.
by Ariadne Gallardo Figueroa
What do we mean by sentient? The term implies the capacity to feel, suffer, remember and choose. In debates about rights, it defines who deserves moral consideration. So we must ask ourselves: will machine in the decades ahead, those that our grandchildren and future generations will live alongside, possess this capacity?
It is both wonderful and disturbing to consider this futuristic idea, one that has already begun to take shape in our lives and, as the author admits, is embedded in our vision of the future. It is a powerful tool, capable of revealing everything we might prefer not to confront. And it forces us to reflect on the importance of doing so in time.
The Sentient Ones, then, can be seen as guardians of memory: the vast files we have stored in the cloud and shared to simplify or redirect our work. Everything humanity has ever created – scientific, technological, artistic, even our most imaginative works – resides there, preserved and treasured by advanced machines, ready to be used by scientists, technologists, screenwriters, and artists alike.
Decades ago, Isaac Asimov laid down the famous rules of robotics, the rules of the game that defined the scope of artificial intelligence and the behaviour that must govern it. “You shall not harm humans,” he wrote, introducing the ethical imperative to “protect and cooperate.” Nugent takes this as a starting point, inviting the reader to follow a chain of reflections on what such principles might mean in practice, and where they might ultimately lead.
The journalist who narrates this story guides us into a world we can only begin to imagine, though it feels alarmingly familiar. Reading Nugent’s work is like holding up a mirror to our experience, one we know cannot easily be undone. It is a wake-up call for the people of today as much as for those of the future.
Bush, the journalist at the heart of the novel, unfolds a series of reflections that draw us back to our own lives. He reminds us that humans never settle for less. With the support of artificial intelligence, robots will inevitably assume greater relevance in social, political, and cultural life. Where human error has always been part of our condition, machines promise to replace it with logic and precision.
Bush works at the Manchester Daily News and the date is June 2070. This framing immediately signals how far humanity has advanced by then. Asimov’s laws have been reformulated and expanded, prioritising efficiency and service.
Nugent masterfully shows how, in contemplating the future, we cannot escape its uncertainty, yet we can still marvel at the scientific advances that shape it. Our collective history of thought feeds both the hardware and the software of artificial intelligence, enabling machines with abilities that rival our own, including strategies modelled on the human brain itself.
This novel encourages us to reflect on the political and philosophical implications of such progress, and on the rules that must be created to establish its limits. This debate is already under way – but what if humanity were to decide it had already achieved its masterpiece, the ultimate alliance between human and machine? What then?
The book ends with a development foreshadowed in its opening pages. Simply recognising such a possibility compels the reader to reflect on our purpose as inhabitants of this planet. Have we truly harnessed technology in the way we deserve, to build a world that is healthy, equitable, and sustainable?
In closing, I am left with a personal reflection. We are co-creators, and we share the same responsibility. We will get nowhere without the technologies we ourselves have built. Artificial intelligence, its circuits and systems, can guide us, but losing control would be the least desirable outcome. Fed as they are with human thought, to what extent might these machines hack into everything we have achieved, and to what end? That is the question we must never forget.
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The Sentient Ones is released by Chronos Publishing as a paperback and eBook on 6 November 2025. There will be a special launch event at Vellichor Books (12-4 pm) in the author's home town of Stoke-on-Trent on Saturday, 8 November, for book signings and some fun activities.
Ariadne Gallardo Figueroa is a broadcaster, author and blogger based in Mérida, Yucatán, Mexico.
Follow Brendan on Bluesky and Facebook
Media / PR / Review Copies - Clive Simpson
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