Leaves on the ground

INBETWEEN house moves and  back at The Jockeys for a few weeks, a holiday lodge in the stable blocks at Casewick Stud which lies in gently rolling Lincolnshire countryside a few miles east of Stamford.

The Stud adjoins Casewick Hall, the attractive grounds and outbuildings of which have a public footpath running through between the village of Uffington on the main Stamford to Market Deeping road and the attractive little hamlet of Barholm.

Casewick Hall is a medieval country house that was substantially remodelled in the 17th century. It is thought to be the location of a deserted medieval village mentioned as ‘Casuic’ in the Domesday survey and later as Casewick in a tax list of 1334. 

Daylight may be in short supply at this time of the year but compensations abound when the autumn sun breaks through and transforms the late afternoons into fiery golden vistas.

a short walk from The Jockeys leaves the elegant driveway at Casewick Stud and joins a public footpath at the back of the hall via a gated, tree-lined avenue.

If you turn left the public footpath takes you diagonally across a large arable field until it abuts the main east coast railway, where there is a foot crossing for those heading towards Barholm.

The opposite direction cuts through the grounds and outbuildings of Casewick Hall, many of which have now been converted to homes.

An enclosed driveway lined by a tall beech hedge soon opens into parkland via a cattlegrid and gateway. Sheep wander nonchalantly across the drive and cows graze in the adjoining fields.

After half a mile the driveway crosses another cattlegrid under a second ornate gateway to join a twisting country lane and the pleasant stroll continues towards Uffington.

When the light is right photo opportunities abound and so here is a selection taken on a couple of recent late afternoon walks. Enjoy!

 

A sense of place

Early morning walks - Two Plank Bridge across the Vernatts drain

As well as writing for a living, the author of this blog is also a keen photographer and many of my blog articles are illustrated, where possible, by my own photos. Some of my pictures are also published alongside magazine and online media articles.

It's a useful trait as a freelance journalist to be able taken your own pictures on occasion for either a news or feature article - and it often helps when pitching a piece.

Of course, unless the photo is of extreme or uniquie news value, I'm not talking about shots grabbed on a smartphone camera, though I have to confess I have recently witnessed local reporters using such.

It is said that a picture is worth a thousand words, so I thought it would be good to end a year of blogging, writing and reporting by publishing some of my photos taken during 2014.

It's a rather random selection of a few favourites, and I've called the piece 'A sense of place' as most of the pictures evoke that in some way. Enjoy!
.

Peace and tranquility on a summer's day in the Fens

Waiting for its catch - a beach tractor at Cromer in Norfolk

Looking the other way - from Niagara Falls viewing tower

Fenland barn and treescape on my way to Peterborough

Great dining at the top of Toronto's very high CN Tower

Toronto skyscrapers and the tower from across Lake Ontario

Early Sunday morning in downtown Detroit

Inside Detroit's opulent Fisher building

Big music came from a little house

Detroit's derelict and eerie Packard Motors plant

Coming to life - Willow Tree Fen nature reserve near Spalding

Premiership promotion - 2015 might be our year

Farewell to the Bittern 4464 - at Spalding on 30 December

Fenland sunsets - big skies make them unbeatable

I hope you liked my selection. And here's a final thought for the year - if a picture is worth a thousand words then a few well-written words might also be worth a thousand pictures.

So if you are ever stuck for words in 2015 - whether it be for a business or company website, blog, article, news item or even a book - I'm here to help. Please do get in touch. And in the meantime, have a very happy and prosperous New Year!

Rocket roll

Excitement and anticipation at the press site mounted as the minutes towards countdown rolled back and it looked as if the cloud cover might thin out just in time.

Now to choose a spot and set up the camera tripod. I wasn’t really here to take photos but if the cameras were pointing in the right direction they could do their business unattended while I viewed the launch unencumbered. And at least I would have some of my own pictures of the moment too.

I wanted to shoot a general view of liftoff with the amassed crowd in the foreground, along with the famous countdown clock and flag - my Nikon D70 was mounted atop the tripod for still views and a Fuji compact for movie footage was wrapped around the stem using a mini Gorillapod.

Astronomy and space lecturer Andy Green, from Cambridge in the UK, was just behind me and to the side was Steven Kates, known as ‘Dr Sky’, a TV and radio broadcaster in the US with a mission to ‘educate and entertain the world on all that is in the sky’. This was his first live launch and he kept us entertained with live pre-launch reports and commentaries.

As I’d left before the crack of dawn without any breakfast and we still had an hour or so of the countdown to go so there was time to visit the legendary NASA Snack Mobile parked amongst the US TV outside broadcast wagons, with their giant satellite dishes and bright logos.

 

The Snack Mobile looks like it has been around since the days of Apollo and, it being NASA, you kind of hope it might sell some kind of magical space food.

Adding to its mystique is the fact that the van only ever appears on launch days - so its future appearances now seem even more restricted, at least in the near term.

Entry is through the back and once inside you can select hot snacks from stainless steel pull-out drawers and drinks from a chiller before paying the lady sitting in the driver’s seat at the front.

Rather than fancy astronaut food I settled for a burger in a soft bun and an ice cold can of Sprite. The food was actually quite tasty (or maybe I was just so hungry). But that is not what really counts - more the fact that you’ve actually stepped inside and made a purchase from the famed NASA Snack Mobile.

 

 

 

Photo passion

It was the kind of opportunity that dreams are made of. Not only was Paolo Nespoli working in space as an astronaut but he was about to get the once-in-a-lifetime chance that us Earth-bound photographers can only dream of.

First the comparisons. Paolo and I both grew up in the 1960s harbouring dreams that we might one day fly in space. And we both got keen on photography from an early age too.

I went on to write about space, interviewing guys like Nespoli and editing a magazine called Spaceflight. He joined the Italian Air Force and became one of ESA’s astronauts, flying to the Space Station in 2007 and then again at the end of 2010, this time for a six month stay.

Both of us continue on our photographic quest - me from down here and Paolo from his temporary home 200 miles high. During his recent, and probably last, trip into orbit he enthusiastically photographed his view of Earth, downloading an impressive 667 images and capturing many more stunning views.

But on his way home, just after his Soyuz TMA-20 spacecraft undocked from the International Space Station at the end of May, Paolo had one final very special job to do - capture unique images of the orbiting outpost with both the Shuttle and Europe’s ATV ferry attached. His spacecraft stopped about 200 metres away and the Station tilted to present a better view.

Paolo took his photos through a small window in the Soyuz orbital module before returning to his seat in the descent module alongside crewmates Dmitri Kondratyev and Catherine Coleman for the landing.

"This was a complex and delicate manoeuvre that could have caused serious problems if not executed properly, but I felt it was worth the risk," says Paolo, who had only few seconds to admire the view for himself.

"Taking these pictures was not as straightforward as aiming the camera and shooting," he explained.

"When we undocked, we were already strapped in our seats wearing spacesuits. Our suits and the three hatches between the landing and orbital modules were leak-checked and normally after undocking the seals are not broken any more because retesting them costs oxygen – and there is not so much of it onboard."

The problem for Paolo was that the tiny window where the pictures needed to be taken was in the orbital module – already then partly depressurised.

He had to remove his gloves, unstrap from his seat, float to the hatch, repressurise the forward module and open the hatch.

"I had to slide over Dmitry, paying attention not to hit the manual controls, and go up to the orbital module where I had prepared the cameras before hatch closure," he said.

Paolo recorded stills and video, alternating them while paying attention to the composition. "The position of the Earth, the reflections on the glass of the window - and I had to make sure that the lens was in the centre of the window.

"I really prayed that these would be good, since I was conscious of their value. But what was done was done – and I quickly forgot them when I had to concentrate on redoing the hatch and suit leak checks, and pick up the reentry and landing procedures."

It was not until a number of days after landing when his precious camera cards were retrieved from the capsule that his incredible photos of an orbiting Space Station and Space Shuttle could be viewed.

He described taking the historic photos as an honour. "Since I was a kid, photography has been a hobby dear to me and all through my life its has brought me to unusual places and made me live unexpected experiences," he said.

"Like a photographer who has a gorgeous model in front of him, I was more concentrating on getting a good technical and artistic product than admiring it.

"I saw the view when changing from still to video images, but I purposely limited looking because I know I would have been mesmerised by the beauty of it."